This painting shows the Renaissance ideal of individualism because Raphael included his name on the building behind Mary and Joseph. Raphael painted the Marriage of the Virgin having in mind the altarpiece with the same subject by Perugino, which is conserved at the Musée des Beaux-Arts in Caen. Raphael, Marriage of the Virgin , 1504, oil on panel, 174 × 121 cm / 69 in × 48 inches (Pinacoteca di Brera, Milan) This also shows realism, because the painting uses perspective and has fine details. This work displays the marriage between the virgin Mary and Joseph. Learn the difference between the betrothed wife and the true or permanent wife. The wide perspective of the picture, with at its centre an octagonal edifice and the aligned composition of the figures on the sides, is strongly related to the Perugino's Christ Giving the Keys to St. Peter at the Sistine Chapel. This painting also shows classicism; the building behind Mary and Joseph has Roman architecture. The betrothed wife or temporary, conditional wife is still a virgin and the man she has been betrothed to has three options: 1. I have chosen The Marriage of the Virgin as a document analysis because I want to contrast this work with works of Perugino, especially Christ giving the Keys to St Peter (1481-1482) and also The Marriage of the Virgin (1500-1504). https://www.khanacademy.org/.../v/raphael-marriage-of-the-virgin-1504 Incorporated realistic Marriage of the Virgin Dr. Beth Harris and Dr. Steven Zucker provide a description, historical perspective, and analysis of Raphael’s Marriage of the Virgin . The painting prominently displays the Virgin's engagement ring, which was then kept at the cathedral as a holy relic. Another View On Marriage A marriage is actually the bonding of two souls, a bonding that can either be enhanced or destroyed during the course of events. Raphael was commissioned to produce the work by the Albizzini family of Citta di Castello (scala 8) for the chapel of St Joseph in the Church of San Francesco. Legacy of Raphael The Marriage of The Virgin Jenna Sobieski Period 3 Linear perspective Depth Space Contrapposto Symmetrical Balance Shadows Raphael The Marriage of the Virgin Madonnas Influential artist and architect in the early High Rennaissance. Raphael took inspiration from it, using its composition structure and iconography to obtain a result of incredible and unachievable perfection.