It is the only instrumental work by Mozart whose home key is E minor. Both the austere character of its opening movement and the haunting nostalgia of its minuet-style finale place it apart from its companions. Both the austere character of its opening movement and the haunting nostalgia of its minuet-style finale place it apart from its companions. Teacher? The sotto voce minuet theme of the second movement, with its descending bass line (chromatically intensified in the melody’s second half), is one that carries an infinite feeling of melancholy. 1: Mannheim, Paris, Salzburg. 1, mm. We cater to professional performers, teachers, and students of all levels. Showing 1 - 10 of 25 results When Mozart begins a work with a theme in subdued bare octaves, as he does here, that beginning more often than not presages an unexpected harmonization of the same theme at a later stage. Hyperion offers both CDs, and downloads in a number of formats. Browse: Mozart - Violin Sonata No. 21 in E minor, K304 by Wolfgang Amadeus Mozart Mozart composed several violin sonatas during his stay in Mannheim and on his voyage to Paris in 1778. Check out Studio, our new free way to connect with students remotely. COMPOSERS: Mozart LABELS: RCA Victor Red Seal WORKS: Violin Sonatas K28, K30, K304 & K526 PERFORMER: Pinchas Zukerman (violin), Marc Neikrug (piano) CATALOGUE NO: 09026 60742 2 DDD This is the fourth instalment in Pinchas Zukerman and Marc Neikrug’s complete series of the Mozart violin sonatas. Want to download this file in Lossless (HD) quality? It is the only instrumental work by Mozart whose home key is E minor. The E minor Sonata K. 304, for instance, 21 in E minor, K. 304/300c is a work by Wolfgang Amadeus Mozart. Performance issues to consider when playing this movement and this piece include considerations of balance so the violin is heard. Uh oh, HD files are only available for supporting members. This page lists all sheet music of Violin Sonata No. 21, K. 304 - II. 189-209, Recapitulation, Closing section, First theme. Our selection of sheet music is mostly classical but we also carry jazz, vocal standards, and showtunes, with a wide variety of method books and studies. Recommended for those intrigued by Mozart's childhood’ (AllMusic, USA), ‘The fluidity of the partnership between Ibragimova and Tiberghien is key to the success of this album … the result is simply effortless listening, with the two musical roles complementing each other perfectly’ (Presto Classical), ‘A very desirable release’ (The Federation of Recorded Music News), «Le piano de Cédric Tiberghien … se montre tour à tour impérial et voluptueux» (Diapason, France), «Les deux musiciens jouent régulièrement ensemble, ce qui leur confère inévitablement un naturel et une complicité qui se ressentent dans leurs interprétations» (Radio Classique, France), „Vor allem aber beweist Alina Ibragimova bei Mozart ihre Fähigkeit, vermeintlich Bekanntes erfrischend neu klingen zu lassen, ohne dass sie dabei in die Gefahr gerät, bemüht originell klingen zu wollen … im reaktionsschnellen Zusammenspiel mit Cédric Tiberghien … bringt sie Mozarts Musik zum Singen, gibt den melodischen Linien klare Kontur, ohne sie vorsätzlich aufzurauen“ (Coburger Tageblatt, Germany), „Insbesondere hier fasziniert, wie eingespielt das Duo Ibragimova/Tiberghien ist, wie feinfühlig beider Spiel aufeinander reagiert und für Überraschungen sorgt, wenn Ibragimova mit ihrem eher historisch informierten Spielansatz und Tiberghien mit seinem kultivierten, poetischen Anschlag den mozartschen Impetus widerzugeben vermögen“ (MDR Kultur, Germany), „Bei Mozart lässt sich die Entwicklung der Violinsonate von der Klaviersonate mit Begleitung der Violine bis hin zur Sonate mit zwei gleichberechtigten Partnern wunderbar nachvollziehen“ (Badisches Tagblatt, Germany), 'De Brits-Russische violiste Alina Ibragimova en pianist Cédric Tiberghien bundelen in een album van twee cd’s enkele schitterende stukken van Wolfgang Amadeus Mozart' (Kerk & Leven, Belgium).